What we know about the measurement:
- Quality of the measurement data is
high.
-
Origin of the data is ASR.
-
Format of the data is
generated by a Klippel NFS
.
-
-3dB (resp. -6db) point v.s. reference is at 139.2Hz (resp. 51.3Hz).
-
Reference level is normalised to 0.0dB
computed over the frequency range [300.0Hz,
5000.0Hz].
-
Frequency deviation is 4.3dB over the same frequency range.
- Tonality (Preference) Score
- Tonality (Preference) Score is 3.09
and would be 5.23 with a
perfect subwoofer.
- Details:
NBD: ON 0.754,
LW 0.664, SP
0.507, PIR
0.529; SM:
SP0.794,
PIR0.437; LFQ
0.332, LFX 45Hz
- Tonality (Preference) Score is 5.09
with an EQ and would be 6.97 with a
perfect subwoofer and the same EQ.
- Details:
NBD: ON 0.593,
LW 0.532, SP
0.422, PIR
0.414; SM:
SP0.945,
PIR0.864; LFQ 0.332, LFX 39Hz
- Link to Original review.
|
AutomaticEQ (IIR)
|
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Set preamp gain to: -4.8dB.
|
| Type |
Freq |
Q |
Gain |
| LS |
139.0 |
0.83 |
2.96 |
| PK |
139.0 |
0.37 |
2.88 |
| PK |
187.0 |
1.88 |
-1.55 |
| PK |
366.0 |
0.45 |
-1.03 |
| PK |
668.0 |
2.95 |
2.79 |
| PK |
1348.0 |
2.96 |
-2.96 |
| PK |
1648.0 |
2.91 |
2.3 |
| PK |
6276.0 |
2.91 |
-2.94 |
| PK |
7669.0 |
1.26 |
2.21 |
|
Download
|
This EQ optimise the Harman score and is a good start for far field listening like in your living room.
|
Graphic EQ 15 bands
|
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Set preamp gain to: -1.1dB.
|
| Type |
Freq |
Q |
Gain |
| PK |
25.0 |
2.14 |
0.75 |
| PK |
40.0 |
2.14 |
0.75 |
| PK |
63.0 |
2.14 |
0.75 |
| PK |
100.0 |
2.14 |
0.75 |
| PK |
160.0 |
2.14 |
0.5 |
| PK |
250.0 |
2.14 |
0.25 |
| PK |
400.0 |
2.14 |
0.0 |
| PK |
630.0 |
2.14 |
0.5 |
| PK |
1000.0 |
2.14 |
-0.25 |
| PK |
1600.0 |
2.14 |
0.25 |
| PK |
2500.0 |
2.14 |
0.0 |
| PK |
4000.0 |
2.14 |
0.0 |
| PK |
6300.0 |
2.14 |
-0.5 |
| PK |
10000.0 |
2.14 |
0.0 |
| PK |
16000.0 |
2.14 |
-0.5 |
|
Download
|
This EQ is designed for a 15 bands graphical EQ.
|
Graphic EQ 31 bands
|
|
Set preamp gain to: -0.8dB.
|
| Type |
Freq |
Q |
Gain |
| PK |
20.0 |
4.32 |
0.0 |
| PK |
25.0 |
4.32 |
0.5 |
| PK |
31.0 |
4.32 |
0.5 |
| PK |
40.0 |
4.32 |
0.5 |
| PK |
50.0 |
4.32 |
0.5 |
| PK |
63.0 |
4.32 |
0.5 |
| PK |
80.0 |
4.32 |
0.5 |
| PK |
100.0 |
4.32 |
0.5 |
| PK |
125.0 |
4.32 |
0.5 |
| PK |
160.0 |
4.32 |
0.25 |
| PK |
200.0 |
4.32 |
0.25 |
| PK |
250.0 |
4.32 |
0.25 |
| PK |
315.0 |
4.32 |
-0.25 |
| PK |
400.0 |
4.32 |
0.0 |
| PK |
500.0 |
4.32 |
0.0 |
| PK |
630.0 |
4.32 |
0.25 |
| PK |
800.0 |
4.32 |
-0.25 |
| PK |
1000.0 |
4.32 |
-0.25 |
| PK |
1250.0 |
4.32 |
-0.5 |
| PK |
1600.0 |
4.32 |
0.0 |
| PK |
2000.0 |
4.32 |
-0.25 |
| PK |
2500.0 |
4.32 |
0.0 |
| PK |
3150.0 |
4.32 |
0.0 |
| PK |
4000.0 |
4.32 |
0.0 |
| PK |
5000.0 |
4.32 |
-0.25 |
| PK |
6300.0 |
4.32 |
-0.5 |
| PK |
8000.0 |
4.32 |
0.5 |
| PK |
10000.0 |
4.32 |
0.0 |
| PK |
12000.0 |
4.32 |
-0.25 |
| PK |
16000.0 |
4.32 |
-0.5 |
| PK |
20000.0 |
4.32 |
0.0 |
|
Download
|
This EQ is designed for a 31 bands graphical EQ.
EQ
Target v.s. EQ
Histogram of errors
Listening Window (fullrange)
Predicted In-Room Response (fullrange)
Comparison betweens various EQs
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